Thirteen Steps
This is the movie’s overstated opening, and its uncertain tone–pitched sloppily between farce and nightmare– doesn’t bode well for what is to come. Director Betty Thomas and writer Susannah Grant (“Erin Brockovich”) want to rehabilitate the overly familiar rehab drama (“Clean and Sober,” “When a Man Loves a Woman”) by injecting it with a streak of gallows humor. It’s a good idea in theory, but it requires more than synthetic sitcom humor....